Sports Arena ‘Entry-Level Premium’ Seating Helps Bring in Millions

For many live sports fans and businesses, increasingly, it’s either go big or go home.

Sports arenas are rethinking their premium seating, offering a much wider range of options. And it’s leading to millions more in money made for teams, Forbes reported.

To begin with, the shift does mean fewer traditional suites in many arenas. But the suites that remain are now becoming more customizable and available in more configurations. Including sometimes as many as five different types of suite offerings, in different sizes and featuring different amenities.

The suites are also reaching new levels of opulence, with new spaces at modern stadiums going beyond marble countertops and fancy meals from celebrity chefs. Experiences now often even start outside the actual building with VIP parking or drop-off, and dedicated arena entrances.

Premium customers are also getting access to otherwise restricted areas of stadiums. And in some premium experiences, guests can even fly with teams to games, or get visits from team mascots or legendary retired players. Not to mention purchase limited-edition merchandise, or find other smaller perks such as in-suite ice machines.

In some cases, the suites are meant to elevate an already-desirable location, such as the 50-yard line. But in others they’re helping turn arena dead zones with less-than-ideal sight lines into hot spots.

An increasing emphasis on business-to-business marketing and corporate hospitality is helping fuel this luxury suite trend, according to Forbes. With the Super Bowl and its NFL House members-only hospitality space, among other offerings ranging from cocktail parties to brunches with Hall of Fame players being a major locus for this type of corporate activity.

But teams are currently just as excited about premium seating opportunities at lower price points. Or what some are calling “entry-level premium.”

These offerings, sometimes called “mini suites,” can have a capacity of 10 or 12 rather than the usual 18 to 25. They can also include even smaller semiprivate groups of seats, an increasingly popular offering that can go by many names, including “loge boxes” or “opera boxes.”

Loge tickets are significantly pricier than what teams could command for a regular ticket. Often requiring six-figure leases for a typical season-long or multi-season reservation. But they’ve also opened up opportunities for arenas to reach a whole new type of upmarket customer.

Typical profiles for these customers might include small business owners who want to entertain just a client or two for a sporting event. Or HENRYs, a marketing term meaning “high earner, not rich yet.”

The exact approach of these offerings differs by sport, due at least in part to the wild variance in the number of home games among leagues. With NFL team schedules featuring eight or nine home games per season, for example, and those of MLB teams featuring 81.

But across all leagues, premium offerings still mean a major source of additional money. Leading to $54 million in yearly revenue on average per team in the NFL, $45 million in the NBA, $41 million in the MLB and $35 million for NHL teams, according to the most recent season of Forbes data. Which is an increase of between 14% and 36% over the last pre-pandemic season.

For 15 teams across the four leagues, premium seating revenue during the most recent season actually exceeded general ticket sales. And two teams, the Golden State Warriors, who opened their Chase Center in 2019, and the Los Angeles Kings, who play at Crypto.com Arena, made more from premium seating than from any other revenue stream, including media rights.

The premium spaces also open up additional revenue streams by, for example, giving sponsors another place where their names can get featured.

Which could all chalk up to one more reason for teams to update their arenas regularly, should the trend last.

‘Sleep Tourism’ Booms for Hotel Chains

Right now, sleep seems to be anything but a snore for the hotel industry.

An ongoing boom in “sleep tourism” has created a $640 billion global market that may top $1 billion by 2028, Fast Company reported, referring to findings from an HTF Market Intelligence study. And so far, the trend has been embraced by everyone from luxury boutiques to industry giants like Hilton and Marriott as they seek additional ways to stand apart from short-term rental options.

Park Hyatt properties now offer sleep suites furnished with Bryte smart beds whose AI-powered mattresses are claimed to “unlock restorative sleep,” Fast Company noted. Other offerings from hotels and resorts worldwide include sleep analysis from medical professionals, pillow menus, and special diets and services to help restore the body’s rhythms and help guarantee an exemplary rest. Sleep meditations, trackers and playlists are also offered by discerning hotels around the world.

The idea of sleep has been a focus for the hotel industry more or less since its inception. With the Westin hotel chain’s Heavenly Bed campaign of the late 1990s serving as one example from recent history.

It’s also been a focus for hotel customers. A 2019 JD Power survey found that of the 29% of hotel guests who experienced a “better-than-expected” quality of sleep, 78% said they “definitely will” return to that property and 71% say they “definitely will” return to that brand.

But the Covid-19 pandemic helped kick interest in sleep within the broader culture into overdrive with its stay-home orders, as well as its enhanced focus on wellness according to Harvard professor and researcher Rebecca Robbins, who was interviewed by Fast Company. Together, these dynamics led to an estimated 25 minutes on average of extra sleep for most people during the first few weeks of the pandemic.

The overall result was what Fitt Insider, a wellness industry newsletter, has called more investment in, and spending on, the “sleep stack” across the economy. Including wearables, bedding, apps, therapeutics and other tools to get better rest. But it’s also led to a larger market for sleep tourism.

According to Mark Kovacs, VP of health and performance for Canyon Ranch resorts, treatments and techniques used for training elite athletes have now filtered down to the population at large. Five-night sleep training retreats at Canyon Ranch’s Lenox, Massachusetts location cost as much as $8,800 per person in 2024.

The Grand Wailea resort, a Hilton property in Hawaii, offers wellness rooms with various sleep-optimizing amenities. Including sleep-inducing meals, specialized jet-lag reducing spa treatments and lectures on the science of restfulness, for just over $1,000 a night. Which is roughly $300 more than standard rooms.

All of this does beg a couple questions, though. For example, if hotel guests are so busy getting their eight hours, does that mean they’ll have less time to spend money on pay-per-view? Or the mini fridge?

The New Starbucks Turnaround Plan

Better, faster but not necessarily cheaper?

Starbucks CEO Brian Niccol shared more details about the brand’s ongoing turnaround strategy during the company’s latest quarterly conference call, CNBC reported.

Many of the coffee chain’s planned changes are intended to help its stores deliver a custom drink to customers in under four minutes, according to CNBC. Right now, about half of its orders fall within this threshold.

The plans are being unveiled as Starbucks has now reported three straight quarters of declining sales. The company is also planning fewer new locations and renovations in order to free up capital in 2025.

Among the coffee chain’s specific plans are changes to its mobile app ordering experience. In order to help reduce the crowding of counters with mobile app orders, Niccol seeks to improve the accuracy of the app’s timing so people have a better idea of when their drinks will be ready. He also seeks to physically separate mobile order pickups from in-restaurant orders within store locations. And to curtail how much customers can customize drinks.

Niccol, who was previously CEO and chairman of Chipotle until August 2024, says he plans to slim the Starbucks menu to “fewer, better” offerings to help baristas make every drink more consistently. And hopefully make them quicker, as they’ll have fewer drinks to remember.

As a criteria for what to eliminate from its menu, the company says it will look at items that they wouldn’t have offered if the four-minute standard wasn’t already in place.

The coffee chain’s plans also include steps to make its cafes feel more like a “third place” for customers again. Including through the return of ceramic mugs, and of Sharpies markers for writing customer names and other messages on cups instead of printed labels.

Starbucks is also reviewing its store designs with a focus on returning to more comfortable seating and amenities. Newer pickup-only locations could even see design changes to help make them more inviting.

In addition, the company is looking to bring back condiment bars so customers no longer need to ask baristas directly for something as simple as adding milk or sugar to a drip coffee. And it’s dropping extra charges for milk alternatives, which can currently add as much as 10% to the cost of drinks.

From a marketing perspective, the coffee chain also plans to place less emphasis on discounts under its Starbucks Rewards program. These deals-based initiatives are currently seen as “ineffective” according to Niccol, and as overburdening baristas. The chain additionally plans to give baristas more hours and consistent scheduling to help improve staff retention.

And so what’s the upshot of it all? If you miss the good old “third place” days of Starbucks, it looks like there might be a cup with your name Sharpied on it sometime soon.

Nightfall of Diamonds

This Month in History

Grateful Dead, “Nightfall of Diamonds”

October 16, 1989

Meadowlands Arena, East Rutherford, NJ

This double-disc set released in 2001 highlights the Grateful Dead’s final performance of their five show 1989 run at Meadowlands Arena in East Rutherford, NJ. The night of the recordings, October 16, 1989, was guitarist/vocalist Bob Weir’s 42nd birthday.

The Grateful Dead’s fall tour of 1989 coincided with the release of “Built to Last,” their 13th studio release. Loosely structured and perpetually evolving set lists during this period allowed the integration of newer tunes with more established songs from the Dead’s 200-plus strong repertoire, AllMusic notes.

This includes “Picasso Moon,” the up-tempo rocker that opens the first set. “Mississippi Half-Step Uptown Toodleoo,” paired with “Feel Like a Stranger,” provides another first-set highlight with some strong ensemble playing. And a pairing of “Let it Grow” with an engaging performance of “Deal” concludes the opening set on the same energetic high on which it began.

A psychedelic rendition of “Dark Star” envelops most of the second set, which ends with the acapella encore “We Bid You Goodnight.”

Over the space of less than 80 minutes, every genre and stylistic approach of the Grateful Dead is uncovered. And put on forceful, reason-tattering display.

A Few Odes to the Road

Highway Prayers” is the new album from bluegrass singer and guitarist Billy Strings released on September 27, 2024.

It’s Strings’ fourth album overall and his first studio album for Reprise Records following a live album released earlier this year. It’s also the follow-up to 2021’s “Renewal” and 2022’s “Me/And/Dad,” a collection of traditional bluegrass and country tracks made with Strings’ father, the singer/guitarist Terry Barber.

“Highway Prayers” was co-produced by Los Angeles industry veteran Jon Brion, who has previously worked with artists including Fiona Apple and Jellyfish. It totals 74 minutes over 20 tracks.

Over the course of the album, Strings and his band touch stylistically on psychedelia and Americana in addition to a few comedic novelties. The material is all bound, however, by an adherence to string-band instrumentation and virtuoso-level musicianship.

Although Strings has lived in Nashville for nearly a decade according to AllMusic, the songs make frequent references to his home state of Michigan. These references occur through both lyrics, and instrumental odes to Upper Peninsula locales.

All in all, “Highway Prayers” would seem to provide bluegrass, jam band, folk rock and country music fans as well as guitar enthusiasts with a thoughtful and relatable set of songs. Supported throughout by Strings’ exceptional guitar skills.

The album’s tendency to delve into social and political issues might also resonate with many fans. As might its channeling of the excitement and energy of Strings’ live performances.

As during Strings’ live shows, the album’s instrumentals tend to showcase the technical prowess and musical innovation of his band. As well as their signature blend of traditional bluegrass with more modern rock and folk influences.

On “Highway Prayers,” this band includes Strings’ longtime personnel of Billy Failing on banjo, Royal Masat on bass, Jarrod Walker on mandolin and Alex Hargraves on fiddle. As well as numerous other contributors.

Strings was born William Apostol in 1992 in Lansing, Michigan. He relocated with his mother to Morehead, Kentucky following the death of his biological father when Strings was two, and his mother’s remarriage to Barber. Both Barber and Strings’ uncle were accomplished musicians, and the youngster was surrounded by acoustic music practically from birth.

At the age of four, Strings asked for a guitar, and he was soon learning to play on a second-hand instrument that cost $25. By age six he was good enough to join Barber at bluegrass picking parties, and his aunt gave him the nickname Billy Strings.

By middle school Strings picked up electric guitar and was playing in a heavy metal band. But by the time he completed high school he had returned to playing bluegrass. After graduation he moved to Traverse City in Northern Michigan. And found a mentor and picking partner in the mandolist Don Julin.

Strings and Julin recorded a duo album titled “Rock of Ages,” and Strings also recorded a home-brewed solo album in 2014 called “Fiddle Tune X.”

In 2016, Strings left Traverse City for Nashville. He released the album “Turmoil & Tinfoil” in 2017. It was produced by Glenn Brown, who had previously worked with the string band Greensky Bluegrass and singer-songwriter Luke Winslow-King.

Strings subsequently landed a deal with roots music specialists Rounder Records and released the album “Home” in 2019.

Buy Generic

No Name” is the latest album from former White Stripes blues-rock singer and guitarist Jack White released during July and August of 2024.

Overall it’s a straightforward rock & roll album consisting of 13 guitar-based songs. Stylistically, these songs meld the punk-influenced minimalism of the White Stripes with blues-rock obsessions like Led Zeppelin, making them a return to more familiar territory for White.

This is a contrast with White’s two albums released in 2022, “Fear of the Dawn” and “Entering Heaven Alive,” which found him introspectively exploring the outer margins of his music. Explorations that were fueled by White’s struggle with the isolation of the Covid-19 pandemic, according to AllMusic.

The lyrics on “No Name” are full of blues-style boasts and brags, and matched by rhyming guitar licks. Lead guitar lines tend to swing from elemental chunkiness to more technical flash.

And a clean, unobtrusive production style lets other musicians be heard clearly without taking focus off White himself. Making for an idiosyncratic but on the whole economic and powerful set of rock tunes.

Another essential part of the story of the album is the publicity stunt surrounding its release. On July 19, 2024, anyone who made a purchase at one of White’s Third Man stores in Detroit, Nashville or London found a mysterious LP in a plain white sleeve in their bags. The white labels on the records were simply stamped “No Name.”

Before long, music media outlets were reporting widely on stories about White releasing a new album in a manner that was both secretive and bound to call attention to itself. Needle-drop bootlegs of the album soon circulated online, and within a week “No Name” had an official wide release.

All in all, “No Name” would seem to offer classic rock, blues, indie, alternative and garage rock fans a raw and energetic listening experience with a stripped-down production style.

White’s passionate vocals could resonate with fans who appreciate authenticity and raw energy in their music. And his eclectic mix of blues, rock and experimental sounds could appeal to listeners who admire a willingness to push boundaries.

The prominence White gave to the vinyl LP version of the album during the release process might further appeal to fans who appreciate the physical and tactile experience of traditional records. And who are drawn by White’s commitment to analog formats.

One of the great rock conceptualists of the 21st century, White came to fame as the leader of the White Stripes, the Detroit-based garage-punk duo who became of the biggest rock acts of the 2000s.

While the White Stripes established White as a roots rocker, he also continued to maintain an interest in modernist art. These dueling, sometimes complementary instincts fueled myriad artistic pursuits for White both inside and outside the confines of the White Stripes.

Almost immediately after their album “White Blood Cells” became a blockbuster for the White Stripes in 2001, White began stepping out of the band’s confines. He produced the 2004 album “Van Lear Rose” for country singer-songwriter Loretta Lynn, and formed the bands the Raconteurs and the Dead Weather.

After the breakup of the White Stripes in 2011, White divided his time between his Third Man Records empire and his two remaining bands. As well as a solo career that became increasingly idiosyncratic with each new album.

Getting Noisy

Flow Critical Lucidity” is the new album by former Sonic Youth alternative rock guitarist and vocalist Thurston Moore released on September 20, 2024. Featuring seven tracks, it’s Moore’s ninth proper solo album overall.

Writer/poet Radieux Radio, whom Moore has collaborated with on previous projects, wrote the lyrics for the entirety of the album, according to AllMusic. These lyrics tend toward counterculture references as well as ethereal descriptions of otherworldly scenes, and are of a similar mind as Moore’s in the past.

My Bloody Valentine’s Deb Googe plays bass throughout the album. And Netativland member Jon Leidecker contributes electronics that span from foreboding sound clouds to more straightforward grooves.

All in all, Moore doesn’t do much to change his established sound on “Flow Critical Lucidity.” But the substantial contributions from Radio and the band allow the entire crew to go deeper and longer on Moore’s signature no wave guitar thrashing and heavy, transcendent bliss-outs.

The album in sum would seem to offer experimental, avant-garde and noise rock enthusiasts the chance to explore new sonic territories featuring a diverse range of textures. All bolstered by the band’s complex arrangements and musical sophistication. As well as Moore’s technically skilled, intricate guitar work, and the intellectual depth of the album’s lyrics.

An alternative rock icon, Moore’s work with Sonic Youth merged experimental art rock tendencies with unconventional guitar tunings. His abstract, poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth during their 30-plus-year run. But these tendencies also bled into countless side projects and less-frequent solo albums such as 1994’s “Psychic Hearts.”

After Sonic Youth broke up in 2011, Moore continued to pursue his ambitions with projects like his band Chelsea Light Moving. As well as noisy collaborations with Merzbow and John Zorn. And solo albums that continued exploring the type of moody, twisting art rock that made him an icon with his pioneering indie rock band.

Moore was born in 1958 in Coral Gables, Florida. At age 18, he dropped out of college after one semester and moved to New York City to take part in the punk and downtown art rock scenes of the mid-1970s that were then forming.

The guitarist then immersed himself in the underground poetry and music communities, exposing himself to a constant flow of new ideas and artistic influences. He took in live readings from punk poet Patti Smith, and was also moved by composer Glenn Branca’s experimental approach to guitar.

In 1980, Moore co-founded Sonic Youth to bring aspects of Branca’s avant guitar techniques to noisy art rock songs. The band then became Moore’s main focus for the next three decades.

Pop/Rock Animal

Indoor Safari” is a new album from veteran UK pub rocker Nick Lowe in collaboration with Nashville, TN rock & roll combo Los Straitjackets released on September 13, 2024.

Lowe began touring and recording with Los Straitjackets in the late 2010s. They put out three singles between 2018 and 2022, which were re-recorded for this year’s release, according to AllMusic, Lowe’s first album in years.

As a whole, “Indoor Safari” is about half remakes and half new songs, all played in an old-fashioned rock & roll style. A few of the songs update Lowe’s crooner persona of recent albums. But the band strips off some of the layers of sophistication and gloss, while adding some surf rock guitar work.

Overall, the album would seem to offer fans of classic rock and pop, including British-influenced styles, a signature blend of nostalgia, humor and relatable themes. All combined under Lowe’s distinctive musical approach.

Lyrics about domesticity, everyday life and the passage of time might resonate with listeners who appreciate a touch of sentimentality combined with wry wit and an observational lyrical bent.

Meanwhile, the incorporation of musical elements from a mixture of genres including country and the blues, along with rock and pop could appeal to broader audiences and keep listeners engaged. And explorations of universal themes like relationships, loss and the human experience, delivered through Lowe’s heartfelt and honest songwriting, might feel relevant to audiences of all ages and backgrounds.

A pioneer of pub rock, Lowe was a pivotal figure in the early days of punk, had subsequent hits as a power popper and then had a dignified third act as an elegant crooner.

He started his career in Brinsley Schwarz, a collection of hippies that helped create the back-to-basics pub rock circuit of the early 1970s. And the scene that eventually mutated into punk rock.

After the split-up of Brinsley Schwarz, Lowe aligned with punk and new wave, serving as house producer for Stiff Records and helming seminal LPs for the Damned and Elvis Costello. It was in this period that he earned the nickname “Basher” for his fast and rough production style, and also helped establish punk’s D.I.Y. aesthetics.

During new wave’s heyday, Lowe co-led the band Rockpile with Dave Edmunds and the pair regularly appeared on each other’s solo albums into the early 80s. Lowe’s high-water mark during this time was the 1979 power pop album “Labor of Lust,” which featured the hit single “Cruel to Be Kind.”

After Rockpile disbanded, Lowe moved steadily toward country-rock. He experienced a renaissance with the 1994 album “The Impossible Bird” featuring the song “The Beast in Me.” This led him toward his latter-day sophisticated crooner incarnation. A style he maintained even after hiring Los Straitjackets to lend a little rock & roll instrumental support for a series of EPs.

Most Peculiar

Pink Floyd guitarist and vocalist David Gilmour released “Luck and Strange,” his fifth solo album and only his third of the 21st century, on September 6, 2024. The album was co-produced by Gilmour and Charlie Andrew, who is best known for his work with UK alternative rock band Alt-J. It also features veteran players Guy Pratt on bass and Steve Gadd on drums.

In addition, Gilmour’s daughter Romany plays a significant role on the album, even taking lead vocals on “Between Two Points,” a cover of the Montgolfier Brothers’ 1999 dream pop song. As on all of Gilmour’s solo albums since the 1990s according to AllMusic, the guitarist’s wife Polly Samson serves as lyricist and direct collaborator.

The title cut of the album is built around a pre-existing 2007 jam with the late Pink Floyd keyboardist Richard Wright.

Overall, the album would seem to offer progressive, psychedelic and blues rock fans a blend of familiar elements and fresh explorations within the progressive rock genre. Listeners who enjoy Gilmour’s signature style and want to hear a continuation of his musical journey might appreciate the complex compositions. As well as the intricate guitar work and introspective lyrics.

At the same time, the reworking of “Between Two Points” with Romany Gilmour brings the album a nostalgic touch that could connect with fans who have followed the Pink Floyd guitarist for decades. While the incorporation of electronic music elements with blues and folk might help further broaden the album’s appeal among fans of progressive rock and rock music at large.

Meanwhile, the top-notch production of the album delivers a signature clarity, impact and attention to detail. For listeners who have come to expect a high level of craftsmanship from this progressive rock legend.

After joining Pink Floyd in 1967 and replacing founder Syd Barrett as singer/guitarist, Gilmour contributed heavily to landmark albums from the band including 1973’s “The Dark Side of the Moon” and 1975’s “Wish You Were Here.”

Gilmour assumed leadership of Pink Floyd in 1987 after a contentious fallout with bassist and chief songwriter Roger Waters. After that followed a massively successful second act for the band that included several world tours and albums like 1994’s “The Division Bell.”

In addition, Gilmour has also produced and done session work for a range of acts, from Kate Bush and the Dream Academy to Paul McCartney. His successful solo career has also included chart-topping albums like 2006’s “On an Island” and 2015’s “Rattle That Lock.”

Born on March 6, 1946, Gilmour’s father was a lecturer in Zoology at Cambridge University and his mother was a teacher. As a schoolboy, he became friends with a boy who attended the same grade school, Roger Barrett, who later gained the nickname Syd.

Gilmour and Barrett became re-acquainted when they were studying at the Cambridgeshire College of Arts and Technology. Both were interested in music and learning to play guitar in their spare time, as was Barrett’s friend Roger Waters.

Bringing the Sizzle

A brand update of Southern California based casual dining restaurant chain Sizzler could represent a “modern heritage” approach to re-finding the company’s way, according to a Fast Company report.

Originally launched in Culver City, California in 1958, Sizzler helped invent the casual dining chain restaurant, and was once known as much for its endless salad bar as its affordable steaks. But today there are just 75 Sizzler locations, according to Fast Company, down from 270 at the chain’s peak.

Sizzler filed for bankruptcy in 2020 as the pandemic forced the company to close restaurant dining rooms, and it has been bouncing back since.

A video created by the restaurant chain in 1991 to attract franchisees went viral online in 2015 after getting posted to an “obscure media” Reddit board. The chain has also been featured in movies, and on TV’s “South Park” and “Saturday Night Live.”

Working with the Brooklyn, New York creative agency Tavern, the restaurant chain has now taken a number of steps to refresh its brand spanning from its website to its physical locations. In large part by leveraging assets found in its archives, such as a steak-shucking cartoon bull rendered in a Hanna-Barbera-esque style named Ribby Ribeye.

The Ribby Ribeye character was in turn supplemented by Tavern with a cadre of supporting characters representing the brand’s other best-known menu offerings. Including cheese toast, the unlimited shrimp, a lobster tail, and the Salad Barbarian, an amorphous blob on a plate representing all the goods available at the chain’s beloved bar.

In addition, the Tavern agency team looked to the Sizzler brand’s past to refine its fonts, referencing the Windsor and Carlson Black Swash cuts it used through the mid-80s or so. It also cleaned up the brand’s logo through some slight changes, ditching a black background and dialing it back to a single color. And placing the text a slight angle to bring home the idea of a cattle-brand element.

Tavern also worked to update the Sizzler restaurant interiors, plates, and staff uniforms, as well as the living “brand” of how workers talk and embody the restaurant, and more. Through some of these updates, they additionally sought to resurrect Sizzler’s ownable red color in order to separate it more from competitors like Outback, Chili’s, and Applebee’s. Aiming for a bright and friendly overall vibe.

The redesigned Sizzler website is now live, and changes will reportedly be rolling out to physical restaurants in phases.

Overall, these updates might seem like an attempt by Sizzler to solidify its appeal with its apparent traditional target audiences of families, as well as value-conscious, nostalgic, and casual diners. While also attracting younger demographics, including through the use of social media platforms.

When it comes to social media in particular, Sizzler could take the current refresh as an opportunity to build buzz for its recent changes and share stories drawn from the restaurant chain’s history. But also to invite customers to share their own Sizzler memories, helping strengthen a sense of community around the brand.

Sizzler restaurant interior design refreshes reported by Fast Company in 2023 led by the studio TNI Design included new finishes, tile flooring, and reclaimed wood accents throughout locations. A prominent fireplace was placed under a big Sizzler logo near the front counter, and digital boards displayed new menus. More high-seats were also added and some four-seater booths expanded to hold six people.

Under the redesigns, some locations also saw possible structural changes to accommodate delivery orders fulfilled by third-party providers like Grubhub and DoorDash.

The first Sizzler restaurant to feature these redesigned elements was in Corona, California, in March 2023. Sizzler planned for all of its locations to have remodels underway by April 2024. In order to implement these changes, TNI Design’s plans reportedly had to work across the casual dining architectural spectrum, from 1970s mini-mall locations to brand new builds.

Additionally, the chain planned for every location to receive a refreshed salad bar with more airy space above it, as well as hanging planters and food-spotlighting pendant lamps. Utilitarian stainless steel crocks and trivets were also replaced with clean white surfaces and a black holding area for multiple pots of food and condiments. New surfaces and glass were also added to salad bar sneezeguards.

But while the redesigned salad bars looked new, their overall shape and central location, which had been Sizzler standards for 30 years, reportedly weren’t planned to change.